PRM2401 Screenprinting and the contemporary poster
Faculty of Art, Design and Architecture
PRM2401 Screenprinting and the contemporary poster is a level 2, 6-credit-point, undergraduate unit from the Faculty of Art, Design and Architecture, offered in 2021 in Semester 2 at Caulfield. It has no prerequisites.
- Credit points
- 6
- Offered in 2021
- Semester 2
- Caulfield
- Assessment
- Exam 60%
- and 1 other task
This is the 2021 handbook entry. See the 2027 entry.
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Requisites
Before PRM2401
Corequisites
Pass these before, or take them in the same semester.
After PRM2401
No unit lists PRM2401 as a prerequisite in the 2021 handbook.
Enrolment rules
Prerequisite: Admission to a degree program of the Faculty of Art, Design and Architecture or permission from the Chief Examiner.
Overview
This is a studio-based unit, where you will be presented with projects involving screenprinting processes and explore the potential of image making using the analogue, digital and photographic stencil processes particular to this printmaking method. The principles of screen printing, as an expanded contemporary art and design practice, can employ the strategies of repetition and multiplicity; the print as an impression; and trace and echo. Exploration of the extension of screenprinting methods into other creative fields such as sculpture, installation, performance, textile and graphic design, will be considered. Occupational health and safety instruction relevant to the Printmaking studio will be addressed.
Offerings in 2021
| Teaching period | Campus | Mode |
|---|---|---|
| Second semester | Caulfield | On campus |
Assessment
- Mid-semester assessment40%
- Final folio examination60%
Learning outcomes
When you finish this unit, you should be able to:
- 1
Develop conceptual, technical and design skills in relation to screenprinting practice;
- 2
Develop studio processes in the screenprinting studio that generate ongoing creative research;
- 3
Apply creative strategies in print media as a form of expression appropriate to the concept you are investigating;
- 4
Analyse the context of screenprinting in various fields of national and international cultural production;
- 5
Position and articulate the aesthetic, theoretical and historical context of your screenprinting within contemporary cultural production;
- 6
Understand and apply the rules of occupational health and safety appropriate to the discipline and context.
Workload and teaching
- Studio activities48 hours
- Teaching approachEnquiry-based learning
- Teaching approachActive learning
- Teaching approachOnline learning
- Teaching approachPeer assisted learning
12 hours per week including 4 contact hours plus 8 hours of independent study.
Thematic projects, configured to address the production and contemporary context of fine art screenprints, will support students to develop conceptual, practical and creative skills.
The unit covers various aspects of the production and design of screenprints in the context of the fine art printmaking studio. Technical skills in screenprinting methods will be demonstrated in class time and detailed in handouts, leading to studio-based production of works.
Individual and group tutorials will develop critical skills and peer review.
Learning resources
Required resources
Saff, Donald and Sacilotto, Deli. 1978. History and Process/Printmaking. New York: Holt Rinehart and Winston.
Buskirk, Martha. 2003. The contingent object of contemporary art, Cambridge, Mass.: MIT Lambert, Susan. 2001. Prints: art and technique. London: V&A.
Burgin, Victor. 1999. Visual Culture: the Reader. London: SAGE Publication.
Lippard, Lucy (ed.). 1997. Six years: the dematerialization of the art object from 1966 to 1972. Berkeley: University of California Press.
Wye, Deborah. 1996. Thinking Print: Books to Billboards, 1980-95. MOMA: New York.
Pelzer-Montada, Ruth (editor). 2018. Perspectives on Contemporary Printmaking Critical writing since 1986. Manchester: Manchester University Press.
Tallman, Susan. 1996. The Contemporary Print: from Pre-Pop to Postmodern. London: Thames and Hudson.
Saunders, Gill and Miles, Rosie. 2006. Prints Now Directions and Definitions. London: V&A Publications.
Ault, Julie.2006. Come Alive! The Spirited Art of Sister Corita. London: Four Corners Books.
Benson, Richard. 2008.The Printed Picture. New York: The Museum of Modern Art.
Contacts
- Chief Examiners
- Ms Marian Crawford
- Unit Coordinators
- Ms Marian Crawford
Common questions
What are the prerequisites for PRM2401?
None, but you must take OHS1000 before or alongside it.
When is PRM2401 offered?
In 2021, PRM2401 runs in Semester 2 at Caulfield.
Does PRM2401 have an exam?
Yes. The exam is worth 60% of the final mark, alongside 1 other task.