VPR3002 Visual practices 6

Den Besten, Liesbeth. Keeping the Gift Moving in Gift: Papers and Exhibitions 2007, Think Tank – a European Initiative for the Applied Arts, Austria, 2007, pp. 14 – 18. http://www.thinktank04.eu/page.php?4,116

Morris, Robert. Some Notes on the Phenomenology of Making: The Search for the Motivated in Continuous Project Altered Daily: The Writings of Robert Morris 1993 MIT Press, Cambridge Massachusetts

Hickey, Dave. Introduction in Invisible Dragon: Four essays on Beauty, Los Angeles

Sontag, Susan. In Plato’s Cave in On Photography, Farrar, Straus and Giroux, New York, 1977

Ian Burn, The Metropolis is only Half the Horizon in The Boundary Rider, catalogue, The Biennale of Sydney Ltd. 1992,

Murray, Kevin. Introduction to Craft Unbound: make the common precious.

Buren, Daniel. The Function of the Studio in October 10, Fall 1979

Moore, Catriona. Margaret Preston at Home in Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, IMA, Brisbane, 2005, pp. 200 – 212.

Rowley, Sue. There once lived…craft and narrative traditions.” in Craft and Contemporary Theory , ed. S. Rowley (St Leonards: Allen & Unwin, 1997)

Every Form of Art Has a Political Dimension Author(s): Chantal Mouffe, Rosalyn Deutsche, Branden W. Joseph, Thomas Keenan Source: Grey Room, No. 2 (Winter, 2001), pp. 98-125

Baker, George. Film Beyond Its Limits , Grey Room, Fall 2006, No. 25, Pages 92 - 125

Potts, Alex. Minimalism and High Modernism in The Sculptural Imagination: Figurative, Modernist, Minimalist, Yale University Press, New Haven, 2000, pp. 178

Gardner, Anthony. Art in the Face of Fame: Ricky Swallow’s Reflection of Reputation , Reading Room: A Journal of Art and Culture – Autobiography in the wake of conceptualism Issue 01/2007, pp.60-79

Schwabsky, Barry. Painting in the Interrogative Mode, Vitamin P, Phaidon Press Inc., New York, 2002, pp. 6-10

Interview between Felix Gonzalez-Torres and Tim Rollins Felix Gonzalez-Torres, New York : A.R.T. Press, c1993.

Tanya Harrod, The gift: a starting point for a discussion of craft in Gift: Papers and Exhibitions 2007, Think Tank – a European Initiative for the Applied Arts, Austria, 2007, pp.28-31 http://www.thinktank04.eu/page.php?4,116

Trinh T. Minh-Ha, “Documentary Is/Not a Name”, October, vol. 52. (Spring 1990) pp. 76-98.

Off With the Pixies: An Interview with Hany Armanious Lara Travis, Like Art Magazine, No. 14 Autumn 2001

Amelia Jones; Geoffrey Batchen; Ken Gonzales-Day; Peggy Phelan; Christine Ross; Guillermo Gómez-Peña; Roberto Sifuentes; Matthew Finch: “The Body and Technology”, Art Journal , Vol 60, no. 1 (Spring 2001) pp. 20-39.

Schorr, Collier. The Fine Line Between This and That (on Sarah Lucas’ photographic self-portraiture) in PARKETT No. 45 1995

LEE, PAMELA M. Bridget Riley’s Eye/Body Problem, OCTOBER Fall 1998, Fall 2001, pp. 27–46.

Joselit, David. Notes on surface - Towards a Genealogy of Flatness, in Theory in contemporary art since 1985 / edited by Zoya Kocur and Simon Leung. # Publisher:Malden, MA : Blackwell Pub., c2005, pp. 292 – 308.

White, Anthony. Industrial Painting’s Utopias: Lucio Fontana’s “Expectations”

Storr, Robert. Painting History – Painting Tragedy in Gerhard Ricter: Doubt and Belief in Painting, Museum of Modern Art, New York, 2003, pp. 250 -263.

Koolhaas, Rem. Junkspace, October, Vol. 100, Obsolescence. (Spring, 2002), pp. 175-190.

Lucy Orta in conversation with Nicolas Bourriaud OR Pipilotti Rist in conversation with Hans Ulrich Obrist In pressPlay: Contemporary Artists in Conversation Phaidon Press, London, 2005

Lippard, Lucy. Escape Attempts in Six years: the dematerialization of the art object from 1966 to 1972 .edited and annotated by L Lippard. (Berkeley : University of California Press, 1997)

H. (Ed.) Postmodern Culture. Port Townsend, Bay Press. 1983 O’Doherty, Brian. Inside the White Cube: Notes on the Gallery Space

Paul Taylor, ‘A Culture of Temporary Culture’ , Art & Text #16 (Burnout) 1984. pp. POSITIONS

Juan Davila, 'Aboriginality: A Lugubrious Game?', Art & Text 23/24 1987. Also in Rex Butler, (ed), What is Appropriation? An anthology of critical writings on Australian art of the 80's and 90's, Institute of Modern Art and Power Publications 1996

Foster, Hal. Design and Crime in Design and Crime and Other Diatribes, Verso, London, 2002, pp. 13 - 26.

Thurman, Judith Profile on Vanessa Beecroft, The Wolf at the Door , The New Yorker, March 17, 2003

Butler, Rex. Bright Shadows: Art, Aboriginality and Aura in A Secret History of Australian Art, Craftsman House, Sydney, 2002, pp. 129 – 147.

October Spring 1997, No.80: 125-134 OR from One place after another : site-specific art and locational identity , Cambridge, Mass. : MIT Press, c2002.

Krauss, Rosalind. Sculpture in the Expanded Field, October, Vol. 8, (Spring, 1979), pp. 30-44

Crow, Thomas. The Return of Hank Herron in Endgame – Reference and Simulation in Recent Painting, MIT press, Massachusetts, 1987, pp. 11 – 27.

Bois, Yve-Alain. Introduction: Resisting Blackmail (pp. xi - xxx) & Painting as Model (pp. 245 - 258) in Painting as Model, MIT press, Massachusetts, 1993.

Katz, Jonathan. Rauchenberg’s Honeymoon in Art/Text, No. 61 May-July 1998

Port Melbourne, Vic.: Craftsman House, an imprint of Thames and Hudson, 2005.

Krauss, Rosalind. The Destiny of the Informe , Formless – A User’s Guide, Zone Books, New York, 1996, pp. 235 – 252.

Carter, Paul. Peculiar to the Night: the knowledge of Craft in Knowledge Makers Papers from the Craft Victoria Forum on Research and Craft Practice 19 July 1997, ed. S. Attiwill, (Melbourne: Craft Victoria, 1998 )

Owens, Craig. The Discourse of Others: Feminists and Postmodernism. IN FOSTER,

Bachelard, Gaston. The House. From Cellar to Garret. The Significance of the Hut , The Poetics of Space, Beacon Press, Boston, 1958, pp. 3 – 37.

Merleau-Ponty, Maurice. Cezanne's Doubt (1945) in Maurice Merleau-Ponty : basic writings / [edited by] Thomas Baldwin. London ; New York : Routledge, 2004. pp. 9- 24

Wall, Jeff. Marks of Indifference: Aspects of Photography in, or as, Conceptual Art, in Veronica’s Revenge: Contemporary Perspectives on Photography, E Janus (ed.) LAC Switzerland, 1998

Greenhalgh, Paul. The History of Craft in The Culture of Craft Status and Future, ed. P.Dormer, (New York: Manchester University Press, 1997)

Den Besten, Liesbeth. Deskilled Craft and Borrowed Skill, Think Tank – a European Initiative for the Applied Arts, Austria, 2008, http://www.thinktank04.eu/page.php?4,137,139

To Make an Inner Time: A Conversation with Gabriel Orozco Benjamin H. D. Buchloh, Carrie Lambert-Beatty, Megan Sullivan October Fall 2009, No. 130: 177–196.

Adamson, Glen. Wearable Sculptures: Modern Jewellery and the Problem of Autonomy & Reframing the Pattern and Decoration Movement in Thinking Through Craft, Berg Publishing, New York, 2007.

Crimp, Douglas. The End of Painting October, Vol. 16 pp. 69-86 Published by: The MIT Press OR Pictures, October, Vol. 8 (Spring, 1979), pp. 75-88

Kwon, Miwon. One Place after Another: Notes on Site Specificity

http://www.societyofcontrol.com/whitecube/insidewc.htm or Santa Monica, CA : Lapis Press, 1986. Or Art Forum 1976

Fraser, Andrea. Why Does Fred Sandback's Work Make Me Cry?

Burgin, Victor. Art Common Sense and Photography in Visual Culture: the Reader. SAGE Publication, London, 1999

Babette Mangolte, “Afterward: A Matter of Time”, in Camera Obscura, Camera Lucida; Essays in Honor of Annette Michelson, eds. Richard Allen and Malcolm Turvey, Amsterdam University Press, 2003. pp.261-274.