VPR3012 Visual practices 3

Carter, Paul. Peculiar to the Night: the knowledge of Craft in Knowledge Makers Papers from the Craft Victoria Forum on Research and Craft Practice 19 July 1997, ed. S. Attiwill, (Melbourne: Craft Victoria, 1998 )

Schorr, Collier. The Fine Line Between This and That (on Sarah Lucas’ photographic self- portraiture) in PARKETT No. 45 1995

H. (Ed.) Postmodern Culture. Port Townsend, Bay Press. 1983 O’Doherty, Brian. Inside the White Cube: Notes on the Gallery Space

Bachelard, Gaston. The House. From Cellar to Garret. The Significance of the Hut, The Poetics of Space, Beacon Press, Boston, 1958, pp. 3 – 37.

Philip Brophy Curating Video Art 101 in Photofile (Issue 94, Winter 2005) OR Bad Video Art Like Art Magazine (haven’t located yet)

Buren, Daniel. The Function of the Studio in October 10, Fall 1979

Moore, Catriona. Margaret Preston at Home in Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, IMA, Brisbane, 2005, pp. 200 – 212.

Krauss, Rosalind. The Destiny of the Informe, Formless – A User’s Guide, Zone Books, New York, 1996, pp. 235 – 252.

LEE, PAMELA M. Bridget Riley’s Eye/Body Problem, OCTOBER Fall 1998, Fall 2001, pp. 27–46.

Crimp, Douglas. The End of Painting October, Vol. 16 pp. 69-86 Published by: The MIT Press OR Pictures, October, Vol. 8 (Spring, 1979), pp. 75-88

Amelia Jones; Geoffrey Batchen; Ken Gonzales-Day; Peggy Phelan; Christine Ross; Guillermo Gómez-Peña; Roberto Sifuentes; Matthew Finch: “The Body and Technology”, Art Journal, Vol 60, no. 1 (Spring 2001) pp. 20-39.

Gardner, Anthony. Art in the Face of Fame: Ricky Swallow’s Reflection of Reputation, Reading Room: A Journal of Art and Culture – Autobiography in the wake of conceptualism Issue 01/2007, pp.60-79

Every Form of Art Has a Political Dimension Author(s): Chantal Mouffe, Rosalyn Deutsche, Branden W. Joseph, Thomas Keenan Source: Grey Room, No. 2 (Winter, 2001), pp. 98-125

Bois, Yve-Alain. Introduction: Resisting Blackmail (pp. xi - xxx) & Painting as Model (pp. 245 - 258) in Painting as Model, MIT press, Massachusetts, 1993.

Joselit, David. Notes on surface - Towards a Genealogy of Flatness, in Theory in contemporary art since 1985 / edited by Zoya Kocur and Simon Leung. # Publisher:Malden, MA : Blackwell Pub., c2005, pp. 292 – 308.

Katz, Jonathan. Rauchenberg’s Honeymoon in Art/Text, No. 61 May-July 1998

Greenhalgh, Paul. The History of Craft in The Culture of Craft Status and Future, ed. P.Dormer, (New York: Manchester University Press, 1997)

Off With the Pixies: An Interview with Hany Armanious Lara Travis, Like Art Magazine, No. 14 Autumn 2001

Rowley, Sue. There once lived...craft and narrative traditions.” in Craft and Contemporary Theory, ed. S. Rowley (St Leonards: Allen & Unwin, 1997)

Adamson, Glen. Wearable Sculptures: Modern Jewellery and the Problem of Autonomy & Reframing the Pattern and Decoration Movement in Thinking Through Craft, Berg Publishing, New York, 2007.

Krauss, Rosalind. Sculpture in the Expanded Field, October, Vol. 8, (Spring, 1979), pp. 30-44 Kwon, Miwon. One Place after Another: Notes on Site Specificity

Den Besten, Liesbeth. Deskilled Craft and Borrowed Skill, Think Tank – a European Initiative for the Applied Arts, Austria, 2008, http://www.thinktank04.eu/page.php?4,137,139

Ian Burn, The Metropolis is only Half the Horizon in The Boundary Rider, catalogue, The Biennale of Sydney Ltd. 1992,

Lippard, Lucy. Escape Attempts in Six years: the dematerialization of the art object from 1966 to 1972 .edited and annotated by L Lippard. (Berkeley : University of California Press, 1997)

Baker, George. Film Beyond Its Limits, Grey Room, Fall 2006, No. 25, Pages 92 - 125

Crow, Thomas. The Return of Hank Herron in Endgame – Reference and Simulation in Recent Painting, MIT press, Massachusetts, 1987, pp. 11 – 27.

Port Melbourne, Vic.: Craftsman House, an imprint of Thames and Hudson, 2005.

Hickey, Dave. Introduction in Invisible Dragon: Four essays on Beauty, Los Angeles

Koolhaas, Rem. Junkspace, October, Vol. 100, Obsolescence. (Spring, 2002), pp. 175-190.

October Spring 1997, No.80: 125-134 OR from One place after another : site-specific art and locational identity , Cambridge, Mass. : MIT Press, c2002.

Potts, Alex. Minimalism and High Modernism in The Sculptural Imagination: Figurative, Modernist, Minimalist, Yale University Press, New Haven, 2000, pp. 178

Fraser, Andrea. Why Does Fred Sandback's Work Make Me Cry? Grey Room Winter 2006, No. 22, Pages 30-47

Morris, Robert. Some Notes on the Phenomenology of Making: The Search for the Motivated in Continuous Project Altered Daily: The Writings of Robert Morris 1993 MIT Press, Cambridge Massachusetts

Butler, Rex. Bright Shadows: Art, Aboriginality and Aura in A Secret History of Australian Art, Craftsman House, Sydney, 2002, pp. 129 – 147.

Lucy Orta in conversation with Nicolas Bourriaud OR Pipilotti Rist in conversation with Hans Ulrich Obrist In pressPlay: Contemporary Artists in Conversation Phaidon Press, London, 2005

Owens, Craig. The Discourse of Others: Feminists and Postmodernism. IN FOSTER,

Den Besten, Liesbeth. Keeping the Gift Moving in Gift: Papers and Exhibitions 2007, Think Tank – a European Initiative for the Applied Arts, Austria, 2007, pp. 14 – 18. http://www.thinktank04.eu /page.php?4,116

Merleau-Ponty, Maurice. Cezanne's Doubt (1945) in Maurice Merleau-Ponty : basic writings / [edited by] Thomas Baldwin. London ; New York : Routledge, 2004. pp. 9- 24

Foster, Hal. Design and Crime in Design and Crime and Other Diatribes, Verso, London, 2002, pp. 13 - 26.

Interview between Felix Gonzalez-Torres and Tim Rollins Felix Gonzalez-Torres, New York : A.R. T. Press, c1993.

Burgin, Victor. Art Common Sense and Photography in Visual Culture: the Reader. SAGE Publication, London, 1999

Babette Mangolte, “Afterward: A Matter of Time”, in Camera Obscura, Camera Lucida; Essays in Honor of Annette Michelson, eds. Richard Allen and Malcolm Turvey, Amsterdam University Press, 2003. pp.261-274.

http://www.societyofcontrol.com/whitecube/insidewc.htm or Santa Monica, CA : Lapis Press, 1986. Or Art Forum 1976

Paul Taylor, ‘A Culture of Temporary Culture’, Art & Text #16 (Burnout) 1984. pp. POSITIONS

Murray, Kevin. Introduction to Craft Unbound: make the common precious.

Juan Davila, 'Aboriginality: A Lugubrious Game?', Art & Text 23/24 1987. Also in Rex Butler, (ed), What is Appropriation? An anthology of critical writings on Australian art of the 80's and 90's, Institute of Modern Art and Power Publications 1996