TDN1002 Design and the avant-garde

William Morris, ‘The Ideal Book’ in Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg), pp. 65–69.

Hal Foster, 'Some Uses and Abuses of Russian Constructivism' in Art Into Life: Russian Constructivism 1914-1932, (New York: Rizzoli, 1990).

Ghislaine Wood, Art Deco 1910-1939, ( Melbourne: National Gallery of Victoria, 2008).

Christina Lodder, Russian Constructivism (New Haven: Yale University Press, 1985).

Erika Doss, 'Revolutionary art is a tool for liberation: Emory Douglass and Protest Aesthetics at the Black Panther' New Political Science , Vol. 21, No.2 , 245- 259.

De Stijl /Bauhaus/The New Typography

Tim Benton, ‘Dreams of Machines: Futurism and l’Espirit Nouveau’, Journal of Design History , Vol.3:1, 1990, pp.19-34.

Suprematism and Constructivism

Frederic Schwarz, ‘Commodity Signs: Peter Behrens, the AEG and the Trademark, Journal of Design History , Vol.9:3, 1996, 153-184.

Varvara Stepanova, ‘Constructivism: The General Theory of Constructivism’ in Aleksandr Rodchenko, Varvara Stepanova and Peter Noever (eds), The future is our only goal (New York: Neues Pub. Co, 1991).

Nigel Whitely, 'Pop Consumerism and the Design Shift', Design Issues, Vol. 2, No. 2 (Autumn, 1985), pp. 31-45

Christopher Breward, British design from 1948 : innovation in the modern age, ( London : V&A Publishing, 2008).

Pier Vittorio Aureli, ‘Autonomy and History’ in The Project of Autonomy: Politics and Architecture within and against Capitalism (New York: Princeton Architectural Press, 2008), pp. 4–14.

David Crowley, Cold War modern : design 1945-1970, ( London : V&A Publishing, 2008)

Dennis P. Doordan, 'The Advertising Architecture of Fortunato Depero' The Journal of Decorative and Propaganda Arts, Vol. 12 1989, 46-55.

Futurism/ WWI Political Posters/Dada

Tilmann. Buddensieg Industriekultur : Peter Behrens and the AEG , 1907-1914, ( Cambridge, Mass. : MIT Press, 1984).

Richard Hollis, ‘The Netherlands’ in Graphic Design: A Concise History (London: Thames & Hudson, 1994), pp. 68–75.

Pat Kirkham, 'Reassessing the Saul Bass and Alfred Hitchcock Collaboration', West 86th: A Journal of Decorative Arts, Design History, and Material Culture , Vol. 18, No. 1 (Spring-Summer 2011), pp. 50-85

Richard Huelsenbeck, ‘En Avant Dada: a history of Dadaism’ in Will Bradley and Charles Esche (eds), Art and Social Change: A Critical Reader (London: Tate Publishing, 2008), pp. 60–67.

Philip Meggs, ‘The Genesis of Twentieth-Century Design’ in Meggs’ History of Graphic Design , fifth edition, Philip B. Meggs and Alston W. Purvis (New Jersey: John Wiley & Sons, 2012), pp. 232–251.

Adolf Loos ‘Ornament & Crime’ (1908), in Adolf Loos, Adolf Opel (eds), Michael Mitchell (trans.), Ornament and Crime: selected essays (Riverside: Ariadne Press, 1998).

Marin Sullivan, 'Materialising Modernism in Postwar Italy' Art History, Vol. 39, 2016 p.720-743

The Industrial Revolution & The Birth of Design

Richard Hollis, ‘Germany’ in Graphic Design: A Concise History (London: Thames & Hudson, 1994), pp. 52–67.

Nicolas Maffei, ‘The Search for an American Design Aesthetic: From Art Deco to Streamlining in Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg), pp120-126

Richard Hollis, ‘The Beginnings of Design in Europe’ in Graphic Design: A Concise History (London: Thames & Hudson, 1994), pp. 25–31.

John Heskett, ‘The American System and Mass Production – from Industrial Design', Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg), 70-74.

Rebecca Houze, ' From Wiener Kunst im Hause to the Wiener Werkstätte: Marketing Domesticity with Fashionable Interior Design' Design Issues , Vol. 18, No. 1 (Winter, 2002), pp. 3-23.

Friedrich Engels, The Condition of the Working Class in England (Oxford: Oxford University Press, 1993), pp. 36–44.

Vance Packard, ‘How to outmode a $4000 Vehicle in Two Years- From the Wastemakers’ in Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg) pp. 226-230.

Filippo Marinetti, ‘The founding and manifesto of Futurism’ in Umbro Apollonio (ed.), Futurist manifestos (Boston: MFA Publications, 2001), pp. 19–24.

Philip Meggs, ‘The Influence of Modern Art’ in Meggs’ History of Graphic Design , fifth edition, Philip B. Meggs and Alston W. Purvis (New Jersey: John Wiley & Sons, 2012), pp. 256–275.

Jeremy Aynsley, Art Deco Graphic Design and Typography, in Art Deco 1910-1939 , edited by Charlotte Benton, Tim Benton and Ghislain Wood, V&A Publications, London 2005, pp. 297-303.

Charlotte Ashby, Modernism in Scandanavia : art, architecture and design, (London: Bloomsbury 2017).

Sarah Alford, 'Ellen Gates Starr and Frank Lloyd Write at Hull House: The Machine as the Will of Life' Journal of Design History, 2017, epx012. doi: 10.1093/jdh/epx012.

Mary Guyatt, 'The Wedgewood Slave Medallion: Values in Eighteenth Century Design,' Journal of Design History, Vol. 13, no.2, 2000, p.93-105.

Richard Hollis, Swiss graphic design : the origins and growth of an international style , 1920-1965, (New Haven : Yale University Press , 2006).

Jan Tschichold, ‘The Principles of the New Typography’ in The New Typography (Berkeley: University of California Press, 1995), pp. 64–85.

Lucius Burckhardt, The Werkbund : studies in the history and ideology of the Deutscher Werkbund 1907-1933, ( London : Design Council, 1980).

Debora Silverman, ‘Introduction: Transformation of Art Nouveau 1890-1900, in Art Nouveau in Fin-de-Siecle Frances: Politics, Psychology and Style, (Berkeley: University of California Press, 1989), pp. 1-13.

Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’ in Illuminations, Hannah Arendt (ed) (London: Fontana, 1973) pp. 211-35.

The Arts & Crafts Movement

Isabelle Anscombe, ‘The Rational Woman’ in A Woman’s Touch: Women in Design from 1860 to the Present Day , (London: Virago, 1984), 131-144.

Art Deco & American Modernism

Jan Thompson, ‘The Role of Women in the Iconography of Art Nouveau,’ Art Journal, Vol. 1:2, 1972, pp.158-167.

Elaine Hochman, ‘A Fragile Moment: Weimar, Gropius, and the Avant-Garde’ in Bauhaus: Crucible of Modernism (New York: Fromm, 1997), pp. 45–57.

Philip Meggs, ‘The Arts and Crafts Movement and Its Heritage’ in Meggs’ History of Graphic Design , fifth edition, Philip B. Meggs and Alston W. Purvis (New Jersey: John Wiley & Sons, 2012), pp. 176–195

Frank Colebrook, William Morris: Master Printer (Council Bluffs, Iowa: Yellow Barn Press, 1989).

Richard Hollis, ‘Soviet Russia’ in Graphic Design: A Concise History (London: Thames & Hudson, 1994), pp. 44–51.

Thomas Hine, ‘Populuxe’ in Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg),152-157.

Christina Lodder, 'Liubov Popova: From Painting to Textile Design', Tate Papers , no.14, Autumn 2010, http://www.tate.org.uk/research/publications/tate-papers/14/liubov-popova-from-painting-to-textile-design, accessed 19 May 2017.

Alan Crawford, 'Ideas and Objects: The Arts and Crafts Movement in Britain', Design Issues, Vol. 13, No1, 1997, 15-26.

Gillian Naylor ‘From Workshop to Laboratory, From the Bauhaus Reassessed’ in Grace Lees-Maffei & Rebecca Houze (eds), The Design History Reader (Oxford & New York: Berg), 115-119.

David Hanks , American streamlined design : the world of tomorrow , (New York : Thames and Hudson, 2005).